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runtime - 1Hour 53 Minute
Year - 2019
User rating - 6,9 / 10 stars
Story - Several years after his childhood friend, a violin prodigy, disappears on the eve of his first solo concert, an Englishman travels throughout Europe to find him
Director - François Girard
Liked it - 187 Vote
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Its like finding a shadow in the dark. Bloody good movie
You had me at, “Steve Buscemi is God.”. Spin off. Jesus i hate American spin off movies. Greetings again from the darkness. The title refers to a sacred Jewish ritual where the names of the Holocaust victims are recited in a musical style. It's a process that (sadly) covers a few days. In this film, it takes on a personal, as well as historical, significance. British cultural affairs expert Norman Lebrecht wrote the 2001 novel on which writer-director Francois Girard (THE RED VIOLIN, 1998, plus plays, operas and 2 Cirque de Soleil shows) and co-writer Jeffrey Caine based the film.
We open in 1951 London just minutes before the scheduled performance of young violin virtuoso Dovidl "David" Rapoport. He is to play Bruch and Bach in a concert sponsored by his "adoptive" father figure Gilbert Simmonds, who has sunk his entire life savings into producing the concert. Despite the assurances of Simmonds' son Martin, who has become like a brother to David, the featured performer is a no-show. leading Martin to search for him over the next 35 years.
The film covers the story from the time Dovidl's Polish-Jewish father (played by Jakub Kotynski) agrees to his leave 9 year old, a violin prodigy, with the non-Jewish Simmonds in an attempt to protect the boy from the German invasion of Poland in the late 1930's. As Dovidl and Martin grow together, their bond become stronger. Martin is present when Dovidl renounces Judaism, even as becomes more proficient with his instrument and more saddened by the Holocaust that he avoided in his home country.
Both boys are played at three different ages by three different actors. Dovidl is played by Luke Doyle at ages 9-13, Jonah Hauer-King at ages 17-23, and by Clive Owen in middle age. Martin is played by Misha Handley at ages 9-13, Gerran Howell at ages 17-23, and by Tim Roth in later life. The actors do a good job of capturing Martin's early irritation at Dovidl's arrogance, the shock of the no-show betrayal, and the later in life man who changed everything when he found out about his family, as well as the music teacher so desperate to find his long lost friend/brother.
The film bounces between the three timelines so that we have a full picture of the impact they have had on each other's lives, and how Dovidl's disappearing act was quite devastating. Much of the film centers on Martin tracking down leads and talking to folks for some idea of the path taken by Dovidl. Mr. Roth is especially effective (and surprisingly understated) in his performance as a man haunted by the unexplained actions of a loved one. His wife, played by Catherine McCormick, is simultaneously understanding, patient, and emotionally affected.
Stanley Townsend plays Martin's father. He cares for Dovidl as if her were a son, and provides what's necessary for the prodigy to develop and be groomed for performance. Three-time Oscar winner Howard Shore delivers a score that follows the good times and bad, not an easy task for a family drama within the shadow of the Holocaust. One specific sequence stands out, and it is filmed on the hallowed grounds of Treblinka - now a memorial, where the extermination camp once stood.
There are many facets to the story, and most involve heavy emotions. We see children bearing more than they should. Parents protecting their children in times of crisis. The difference between religion and ethnicity is discussed. Broken trust proves especially damaging. Dovidl's disappearing act could be compared to that of JD Salinger, in that he seemingly disappeared for years. And maybe most of all, the idea of survivor's guilt is a theme, as Dovidl explains, You don't have to be guilty to feel guilty." The film may have some pacing issues, but it affords such a wealth of conversation topics, that any flaws are easily forgiven.
One of the most beautiful films I've ever seen. The camerawork is. “I want to be great, or nothing!” People arent talking about that line enough. I caught this film when it was was screened at DSS-IFF in Spain last week. i'm a fan of Tim Roth, my mom was a classical trained musician, and I was genuinely optimistic about Song of Names.
I was disappointing. This is quite a poorly done work. Another user reviwer here said the ending was "shocking." No it is not, it is predictable. In fact the entire film is a endless run of cliche. La canci�n de los nombres olvidados ( 2019) " The Song of Names " - Canad� / Reino Unido / Alemania / Hungr�a Drama � Fechas de estreno Pa�s Cine DVD Bluray VOD Espa�a 13 Mar 2020 -- -- Estados Unidos USA 25 Dec 2019 Aun no tenemos cr�ticas de esta pel�cula �Te animas a ser el primero? Escribir cr�tica A�n no tenemos curiosidades de esta pel�cula Escribir curiosidad A�n no tenemos errores de esta pel�cula Escribir error Nadie ha iniciado un debate de esta pel�cula Iniciar debate � Tambi�n conocida como... The Song of Names ( T�tulo original) La canci�n de los nombres olvidados ( Espa�a).
Reminds me on My blue Valentine. Will definitely give it a shot. Apparently there were no women, all Jews are also men.
I normally like movies with music duels, and still falls very short. none of the characters make connection with the audience, they're motivation is useless and no real plot. Las peleas quedaron en un segundo plano en el regreso de los Pimpinela al Festival de Viña del Mar tras 36 años de su primera y hasta hoy única vez en el escenario de la ciudad chilena. La razón, los recuerdos que sobrevolaron el primer recital de los hermanos Galán tras la muerte de su madre. Poco importó que el concierto empezara al filo de las 2 de la madrugada en una fría noche en el anfiteatro de la Quinta Vergara. El público desprendió un fuerte calor humano para el dúo argentino, ya que, además de corear todas sus canciones, exigió que se les entregara la emblemáticas Gaviotas de Plata y Oro. UN GRAN KARAOKE El arranque del repertorio fue de primer curso de "Pimpinología". Una pelea musical como las que desde hace casi 40 años les han hecho recorrer el mundo. "Jamás volverás a verme aunque me lo pidas", dice él. "Te juro solo con eso ya soy feliz... ", remata ella en el estribillo de "Mañana", canción incluida en su disco "Marido y mujer", de 1988. No fue hasta varias discusiones después, tras la quinta canción, que Lucía, de 58 años, y Joaquín, de 64, saludaron a las abarrotadas gradas del recinto -un aforo de unas 15. 000 personas- para revelar su felicidad por volver a Viña del Mar tras tantos años. La anterior y primera vez fue en 1984, cuando presentaban en América su "Olvídame y pega la vuelta". "Esto tiene que ser un gran karaoke. Nosotros cantamos y ellos escuchan", dijo la cantante, que obtuvo un "¡siii! " tajante del "monstruo", como se conoce al público del popular festival chileno. Y es que difícil es resistirse a cantar eso de "A esa... ¿qué le puede costar hacerte feliz una hora por día? " o "Valiente.. y te tiemblan las piernas cuando una mujer te pide lo que no tienes... ". "35 años escuchando lo mismo... no creo que se atreva esta noche en Viña", soltó el integrante masculino. UN HOMENAJE A SU MADRE Al llegar a la undécima canción, la emoción pasó a ser la protagonista absoluta. "Esta canción comenzó dedicada a nuestro padre, que falleció en 1985, y desde hace un mes se la dedicamos también a nuestra madre, que fue la que nos empujó para que cantáramos juntos", expresó Lucía sobre "El amor no se puede olvidar". Con fotos de fondo de su madre, María Engracia, que murió el 12 de enero pasado a los 96 años, sin poder reprimir las lágrimas y con la voz casi quebrada la cantante fue desgranando junto a su hermano una a una de las frases de esa sentida canción. Lo mismo ocurrió con la también muy personal "Hermanos". "Mamá siempre estaba ahí sentadita en las filas" de los conciertos, recordó Joaquín. TODA LA FAMILIA EN EL ESCENARIO Tras recibir de los presentadores del festival, María Luisa Godoy y Martín Cárcamo, su primera Gaviota de Plata -"una gaviota que nos va a seguir haciendo volar", reconoció el dúo-, la organización del festival emitió una vieja entrevista a la madre de los cantantes a modo de homenaje. "¡Oro!, ¡oro!, ¡oro! ", empezaron a corear los espectadores, para reclamar otra gaviota más de esa categoría, que finalmente recibieron los hermanos. Rocío, la hija de Lucía, y Francisco, el de Joaquín, aparecieron en el escenario para compartir, junto a sus padres y más allegados, la canción "La familia", con la que se cerró definitivamente el capítulo emocional de la noche para sacar del cajón su mayor hit. "Por eso vete, olvida mi nombre, mi cara, mi casa y pega la vuelta".... Al sonar el himno, la Quinta Vergara no podía vibrar más ya casi a las 3 de la mañana. Con "Una estúpida más", "Cuánto te quiero" y "Hay amores que matan", los Galán, que en 2019 recibieron el Latin Grammy a la Excelencia Musical y han editado hasta el momento más de 25 discos, decidieron dar por cerrada la velada. Su próximo objetivo.... estrenar el 4 de marzo próximo su nueva canción, "Traición", y prepararse para mayo, cuando su presentación durante dos noches seguidas en el Luna Park de Buenos Aires (los días 8 y 9) será el comienzo de una nueva gira que les llevará a recorrer diversas ciudades argentinas y de otros países. Rodrigo García.
"The Song of Names" directed by the wonderful François Girard, surpassed all of my expectations! The story is about the relationship two "brothers" and how that relationship changes over the years as the mystery unfolds. The score, by the great Howard Shore, expertly showcases the film's haunting, mysterious tone. Acting, directing and cinematography, to name a few, were all brilliant. Certainly worth a watch, even if just for the magnificent violin solos! The film catches your attention from the very first scene and leaves you wanting more after the shocking finale. I would recommend this film to musicians, as well as anyone who loves a good character-based mystery.
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Bio: Serendipity Point Films is a boutique motion picture production company. The company was formed in 1998 by Robert Lantos.
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